MUSE • Musicians United for Social Equity

Biography

Christie’s Bachelor and Masters studies were in Piano Performance at West Virginia University from which she also holds a minor in Dance. Prior to working in musical theatre she performed as a concert pianist, orchestra pianist and chamber musician as well as trained pianists to attend conservatory, judged competitions and gave master classes.

Currently Christie works full time as Music Director, Piano Conductor, Composer, Sound Designer and Orchestrator-Arranger. She is fluent in Logic, MainStage, Ableton, Finale & QLab. Her strong sight reading skills have also made her a highly sought after audition and rehearsal accompanist. Her music directing/piano conductor credits include over 60 musicals.

Upcoming: TARZAN (The Rev); The Girl Who Sang With The Moon (DCASE New Play Development); Out Here (Court Theatre); Reunion (2026 Spring Spark Festival NYC)

Regional Musical Direction credits: Hair (Asolo); Five Guys Named Moe, Newsies, The Gospel at Colonus and Raisin (Skylight); Indecent (Milwaukee Chamber) the Chicago premier of  Minnie’s Boys (Porchlight), Dreamgirls (Paramount Aurora), Jelly’s Last Jam; Little Shop of Horrors (Cape Fear Regional Theatre); Dreamgirls (Goodspeed & McCarter Center), The Wiz (Children’s Theatre of Madison); A Year with Frog and Toad (Chicago Children’s Theatre), The Color Purple (Pennsylvania Shakespeare); Manic Pixie Dream Girls Aren’t Black (America Music Theatre Project – Northwestern); Milo Imagines the World (Chicago Children’s Theatre); Once on This Island (Cape Fear Regional) and MD Sub for productions of The Fish Whisperer and Cheeseheads (Northern Sky).

Sound Design and compositional credits include: It’s A Wonderful Life, Primary Trust (Theatre Squared), Summertime (UIC); Iraq But Funny (Lookingglass); Chicago Premier of “Notes from the Field” (Timeline); A Year With Frog & Toad, Milo Imagines the World (Chicago Children’s Theatre); Clyde’s (Theatre Works Hartford); Fireflies (Northlight); Carmella Full of Wishes (Chicago Children’s Theatre; First Stage Milwaukee; Seattle Children’s Theatre) A Raisin in the Sun (Invictus); America 2.0 (Definition); The Niceties (Forward), The Mountain Top (American Players); We Are Continuous, and Vietgone (GEVA), Home, Stew, Kill Move Paradise, Black Butterflies, Pretty Fires and The Way She Spoke (Milwaukee Chamber) and Yellowman (Fleetwood Jourdain).

Christie’s film scores can be heard in Alone, The Pandemic Trilogy, and in The Clearing, a short film selected for the 2021 Milwaukee Film Festival.

Christie was awarded the Footlights Best Musical Direction Award for a Professional Production (Five Guys Named Moe), and a Rachel Rockwell Fierce Women Behind The Table, award for Music Direction by Porchlight Music Theatre. She earned a BTAA nomination for Best Music Direction – Original Score (Yellowman) and was a Chicago Broadway World Finalist for Best Music Direction, (Big Fish – Chicago, Dreamgirls – New Jersey)

Christie is member of American Federation of Musicians (10-208); Theatre Musicians Association; MUSE – Musicians United for Social Equity, and is a MAESTRA Board Member. She also served two terms as President of the Chicago Area Music Teachers Association her local association for MTNA.

NEW MUSICALS COMPOSER:

• THE GIRL WHO SANG WITH THE MOON – Full Length Musical – Book writer, Lyricist and Composer; DCASE Grant Recipient – City of Chicago – Workshop and Performances Feb 2026.
• REUNION – Full Length Musical Composer; Jay Baer Book Writer & Lyricist – Selected for the NYC Spark Theatre Festival; April 2026