MUSE • Musicians United for Social Equity

Biography

Andy Li is a Chinese American composer for theatre, opera, and media based in New York City. He is a winner of the 2025 GCNA Franco Proposal Contest, for which he wrote St Anne’s Garden in a Fading Summer.

His original musical The Garden Bridge (lib. Jill Ohayon) will have its Off-Broadway debut this summer at the Classic Stage Company. It has been workshopped at The BringAbout with Jennifer Jancuska, Resident Choreographer of Hamilton on Broadway, and developed at the Casa Uno Artist Residency. It was the recipient of the 2025 NYFA Queens Arts Fund, a finalist for the Aubrey and Marla Dan Fund for New Musicals and the Lab Series at the Manhattan School of Music, and a semifinalist for the CreateTheater Musical Series. It has been presented at 54 Below, Joe’s Pub, and New York City’s Breaking Sound Series. His musical Birthday Presence (lib. Jill Ohayon) was presented at Symphony Space as part of Prospect’s 2025 Musical Theater Lab.

For opera, he has written Tesserae (lib. Patrick Thompson) and What Do You See? (lib. Sravya Saraswatula) for The American Opera Projects. For film, he has composed original scores for Pasta (dir. Janey Feingold), Blank Canvas (dir. Xuecong Zhao) and Her Summer (dir. Yunye Chen). He is the sound designer for the audio drama Intrusive Thot (written by Sarah Rossman), which had its pilot episode broadcasted across Glasgow by RADIOPHRENIA.

Li holds an MFA from the Graduate Musical Theatre Writing Program (NYU), a BM in Music for New Media: Film and Game Scoring (Peabody Institute), and BA degrees in French and Medicine, Science, and the Humanities (Johns Hopkins University). His composition teachers include Matthew Sklar (The Prom, Elf the Musical, The Wedding Singer), Randall Eng, Thomas Dolby, Christopher Kennedy, Vid Smooke, Martyn Harry, and Travis Hardaway. He is a member of ASCAP, the Dramatists Guild, and MUSE.